LED video walls, IMAG cameras, projection and livestream — with backup encoders and protected signal paths so a freak accident is a two-minute fix, not a keynote-killer.
The nightmare every planner carries is the screen going dark during the keynote. We build against it: backup gear, protected and ramped cable paths, and spare runs staged before doors.
At the Renatus National Conference a cart severed our main fiber line ten minutes before doors — and the room never knew, because our crew re-ran it and started on time. That's the difference between good gear and a crew that solves problems under a clock.

Every quote is itemized — you see exactly what's included and what's optional. No surprise line items.
One person owns your run-of-show start to finish — you always know who's in charge.
Backup gear and protected signal paths, staged before doors. The feed doesn't drop.
Line-by-line quotes — you see exactly what you're paying for. No "what's your budget?" games.
4,000+ bands mixed. We do the buttoned-up general session and the concert on the same stage.






Both have trade-offs. LED is brighter and needs no throw distance; projection can be softer and cheaper at very large sizes. We recommend based on your room, budget and whether you're shooting cameras at the screen.
We run backup encoders and protected signal paths, and we test end-to-end before doors. Redundancy is standard, not an add-on.
Image magnification — live cameras putting close-ups of your speakers or performers on the big screens so the back of the room sees everything.
By room dimensions, sightlines and content. We'll render it to scale so you see exactly how it looks before you commit.
Tell us the date and venue and we'll send an itemized proposal — usually the same day.
Request a Proposal